Backgrounds -- Put Your Art in Context

Still with Laure's class. More assignments follow in my blog, though the class has now ended. Laure taught us about the importance of backgrounds... planning them, perhaps putting them in first, not making them an afterthought. One exercise was to build our "vocabulary" of backgrounds by creating several, whether inspired by fabric, wallpaper, rugs... whatever.

Next, we put several items together, having planned the background first. I took the cherries that were used in the assignment -- wanted to show black cherries, standard red ones, and then Rainier cherries. Hmmm... not sure if that worked!

Artful Journaling #6 and #7

Word Art: AJF 6

I'm behind on my assignments for my Artful Journaling class. Each assignment is more challenging than the previous ones. The two here are "Word Art" and "Designing Borders". It was very difficult for me to let go and actually design a word for myself, but as soon as I thought of "laugh", it all came together. The word, that is... not the background, colors, or anything else. Still, I think that it's pretty lively.

The borders were fun. I really got into a zone here, while discovering just how much I love pen and watercolor work. We had to create at least two borders each of watercolor only; pen only; watercolor and pen. Well, I went a bit overboard. Our next assignment is to design a piece with the border as a part of the design but not overpowering it. I think I know what I want to paint, and I can already see which border or variant I'll pick.

Not Your Average Watermelon

I'm taking a class with Laure Ferlita called "Artful Journaling". The goal of the class is to develop confidence and skills in journaling. Materials are watercolor paints (limited palette) and a waterbrush. Our second assignment is to paint from a reference photo. Laure had a very nice technique for painting this slice of watermelon, and I'm very pleased with the variation of color that resulted. Not so happy, though, with the rest of the painting. The hardest part for me was working with the waterbrush. Perhaps I need to squeeze continuously while painting -- I found that my ink dried far too fast. Additionally, it wasn't as easy to clean my w/brush as I'd expected. (I've been using w/brushes for about 12 years, having purchased my first one at a Chinese store in San Francisco last century. But I've never attempted to use them the same way I'd use a regular w/c brush. I've thought of them as mere sketching tools.) I ended up using TWO brushes... one that had no regulator, so once it was held upside-down, the water slowly came out; and my frustrating brush, which I used to mix paint. Wish I could dig up my other w/brushes.